Detail 01
Eight channels in one jacket
One bundle carries eight balanced lines. Cuts rack clutter, but you buy all eight whether you use them or not.

Independent shopping perspective
Five-foot eight-channel XLR snake for short, permanent runs between rack gear. Studio wiring, not stage duty.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
One bundle carries eight balanced lines. Cuts rack clutter, but you buy all eight whether you use them or not.
Detail 02
Spiral shielding stays flexible through repeated coiling instead of stiffening and breaking like a foil-and-drain construction.
Detail 03
The shielding spec that matters near power supplies and lighting. Low pickup means less hum riding under quiet mic signals.
Detail 04
Handling and footfall noise transmitted into the signal. Relevant for any run crossing a floor rather than staying in a rack.
Detail 05
Thin conductors suited to mic and line level. This is signal cable, not speaker or power cable.
Detail 06
Handles a hot rack or a cold room. The flexible jacket coils without fighting you in a tight rack space.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Five feet is too short for stage-to-FOH. It is meant for rack-to-rack or rack-to-console runs inside one location.
It is balanced XLR cable, so phantom passes through as it would on any standard mic cable. The cable itself supplies nothing.
You are buying eight shielded channels, not one. The cost is per channel, plus the shielding spec that keeps hum out of mic-level signal.
Yes. The 25AWG conductors and balanced construction suit both mic and line level. It is not for speaker or power use.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.