Detail 01
8 channels in one jacket
Replaces eight separate mic cables with a single run, so a rack loom stays thin and traceable.

Independent shopping perspective
An eight-channel DB25-to-XLR-female snake, five feet long, for wiring a converter or interface's analog inputs inside a rack. Built for permanent studio wiring.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Replaces eight separate mic cables with a single run, so a rack loom stays thin and traceable.
Detail 02
Thin gauge keeps eight pairs flexible inside one jacket. Line-level duty only, never speaker or power.
Detail 03
Spiral shielding bends and coils behind a rack instead of fighting back the way a stiff braid does.
Detail 04
Low capacitance barely loads the signal; across five feet, high-frequency loss is inaudible.
Detail 05
Resists induced hum from power supplies and transformers packed close together in the same rack.
Detail 06
Footsteps and knocks translate into very little audible noise through the run.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Any device with a DB25 analog port works, provided the pinout matches. The pinout is the thing to verify — check your device's manual for its wiring diagram.
Not as it is. Female XLR ends plug into male outputs, so this carries signal into a DB25 device. Outputs call for the male-XLR version.
It's sized for gear in the same rack or an adjacent one. If the converter and preamps sit in different racks, measure the path first.
You're paying for eight shielded channels in one jacket plus the DB25 termination, not for length. The hum and handling-noise figures are where the money goes.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.