Detail 01
DB25 to eight male XLR
One connector carries eight balanced channels, and the male ends mate with inputs, so signal flows out of the D-sub.

Independent shopping perspective
Eight-channel analog fanout from one D-sub port to eight male XLRs, 10 ft. For interfaces, converters, and consoles that use DB25 I/O.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
One connector carries eight balanced channels, and the male ends mate with inputs, so signal flows out of the D-sub.
Detail 02
Thin stranded cores let eight pairs sit in one bundle that still bends instead of behaving like a trunk.
Detail 03
Wrapped rather than braided, so the cable stays flexible and quieter when it gets moved or re-dressed.
Detail 04
Low induced hum, which matters when the harness passes power supplies and transformers inside a rack.
Detail 05
Handling noise stays low, so bumping or walking on the bundle does not thump through the channels.
Detail 06
Covers hot rack interiors and cold rooms, so the jacket is not working near its limits in normal use.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Output. The male XLR ends plug into inputs, carrying eight channels out of a D-sub port. Recording mics into a D-sub input would need female XLR ends instead.
It is a standard eight-channel analog D-sub fanout, but confirm your port's pinout matches, since manufacturers wire D-sub analog differently.
Yes. Each channel runs as a shielded pair with a drain wire and terminates to a three-pin XLR.
No. It is a straight harness: one D-sub shell to eight loose XLR tails, 10 feet long.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.