Detail 01
5 ft length
Rack-length only. Measure from the D-sub port to the farthest XLR jack first; there is no slack for routing.

Independent shopping perspective
Eight-channel DB25 to XLR male fan-out, five feet long. For patching an analog D-sub port on a converter, interface, or console into eight XLR inputs.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Rack-length only. Measure from the D-sub port to the farthest XLR jack first; there is no slack for routing.
Detail 02
Thin and stranded so eight pairs stay flexible in one jacket. Signal-level duty only, not speaker or power.
Detail 03
Spiral shielding coils and lays flat without kinking, and keeps the bundle thin where a braid would stiffen it.
Detail 04
Low for a multipair. Capacitance is what dulls treble over distance, so short runs like this stay clean.
Detail 05
Thin and pliable for tight rack bends, but thinner than a touring-grade jacket if it gets dragged or pinched.
Detail 06
The jacket will not leach plasticizer into ABS plastic, so it won't fog or soften gear it rests against.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Both. It's a shielded eight-pair audio snake on #25 AWG stranded conductors, suited to mic and line signals. It is not a speaker or power cable.
Not directly. The XLR ends are male, so they go into inputs. Microphones need female XLR ends to receive them.
It's built for rack-to-rack patching between adjacent gear. Short runs keep capacitance and handling noise down. Longer distances need a longer cable.
It's rated from -20°C to 70°C (-4°F to 158°F) and carries a UL13 CL2 60°C rating, so normal rack temperatures are within range.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.