Detail 01
TRS one end, XLR male the other
Signal flows out of TRS jacks into female XLR inputs. It will not accept a microphone at either end.

Independent shopping perspective
An eight-channel TRS-to-XLR-male snake, 20 feet, for feeding balanced line outputs to XLR inputs in one pull instead of eight loose cables.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Signal flows out of TRS jacks into female XLR inputs. It will not accept a microphone at either end.
Detail 02
Thin per-channel gauge keeps a bundle this size flexible. Fine for line level, never for speaker output.
Detail 03
Spiral shielding keeps coiling easy and survives repeated wrapping better than stiffer constructions.
Detail 04
Handling and foot traffic put very little noise into the signal, which matters for cable run across a floor.
Detail 05
Low enough that a 20-foot line-level run does not audibly dull the top end.
Detail 06
Handles a hot amp rack or an outdoor run without the jacket going soft or brittle.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. The XLR ends are male, which means they plug into inputs. Microphones need a cable with a female XLR at the mic end.
Eight, in a single jacket. That works out to roughly sixty dollars per channel.
It will pass signal, but the run is built for balanced connections. Unbalanced gear at either end gives up the noise rejection.
Use loose over-under coils. The spiral shield and flexible jacket handle repeated coiling, but tight kinks stress any multicore.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.