Detail 01
Eight channels in one jacket
One pull instead of eight. Setup and teardown get much faster, and there is nothing loose to trip over.

Independent shopping perspective
An eight-channel XLR snake, 20 feet, for moving mic and line signals from a stage or live room to a console in one bundle.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
One pull instead of eight. Setup and teardown get much faster, and there is nothing loose to trip over.
Detail 02
Spiral shielding stays flexible and keeps coverage when the cable is coiled and uncoiled repeatedly.
Detail 03
A rated ceiling on how much hum the cable picks up near power runs and dimmers — the number is the point of a snake this price.
Detail 04
Handling noise is specified, so footsteps and cable movement on stage do not thump through the PA.
Detail 05
Thin-gauge conductors keep an eight-pair bundle manageable. Fine for mic and line level; not a speaker cable.
Detail 06
Stays pliable in cold load-ins and holds up in hot rooms. Coils without kinking.
Detail 07
Cleared for in-wall and in-conduit installation, so it can be permanently run through a studio or venue.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Eight, one per channel. If you need more, you will need a second snake or a stagebox with a higher channel count.
For small rooms and studio live-room-to-control-room runs, yes. For a stage to a front-of-house position mid-room, it usually is not.
It carries a UL13 CL2 rating, which covers permanent in-wall and in-conduit installation.
It is built for that. Shielded pairs and a specified 2.5mV maximum hum pickup mean it can cross power and dimmer runs with less noise than unrated cable.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.