Detail 01
25AWG conductors
Thin signal-gauge wire. Fine for mic and line level; this is not speaker or power cable.

Independent shopping perspective
Eight-channel 10 ft. balanced snake, TRS on one end and female XLR on the other. Built for short studio and rack runs between fixed gear.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Thin signal-gauge wire. Fine for mic and line level; this is not speaker or power cable.
Detail 02
Spiral shielding coils easily and stays flexible, but it's less tight against very high-frequency interference than a braid.
Detail 03
Low enough that high frequencies survive the run intact. Over ten feet the difference is inaudible anyway.
Detail 04
Thin and pliable, so it dresses neatly through a rack. Less crush protection than a heavy stage jacket.
Detail 05
Handling and footfall noise stays controlled, so it can cross a floor without adding thumps to the signal.
Detail 06
CL2 covers permanent in-wall installation, and the temperature range holds up in unconditioned crawl spaces or attics.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Both ends are balanced, so it carries either. The TRS ends handle balanced quarter-inch jacks; the female XLR ends mate with male XLR outputs.
No. Mic inputs are female and so are these ends. They connect to male XLR outputs, such as preamp or interface outs.
Yes. It carries a CL2 rating at 60 °C, which covers in-wall installation, and it's specified from −20 to +70 °C.
Electrostatic hum pickup is rated at 2.5 mV maximum, and stepping on the cable measures 50 mV maximum. It's built to sit on the ground.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.