Detail 01
Hanging design
Suspends from its own cable overhead. Aiming is set by the hang height and angle, not by a boom arm.

Independent shopping perspective
A cardioid condenser built to hang over a stage, choir, or meeting room. For fixed installs where a mic stand is not an option.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Suspends from its own cable overhead. Aiming is set by the hang height and angle, not by a boom arm.
Detail 02
Rejects sound from behind, so pointing it down at the source keeps room reflections and ceiling noise lower.
Detail 03
Sensitive enough to pick up a group from several feet away, which is the whole point at hanging distance.
Detail 04
Disappears against dark ceilings and lighting grids, which matters when the mic is permanently in view.
Detail 05
Cheap enough to hang three or four across a wide choir loft instead of one expensive mic in the middle.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It is built to hang from above, not to clip into a stand. If you need a stand mic, buy a standard cardioid condenser instead.
Yes. It is a condenser, so it will not pass signal without phantom power from a mixer, interface, or inline supply.
Depends on width. Most installs run one mic per section, spaced so each covers its own group and overlap stays minimal.
Cardioid means it favors what is directly below it. Sound from behind and to the sides is reduced, not eliminated.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.