Detail 01
50 mm head, externally polarized condenser element
A true DC-bias large diaphragm, not an electret — fuller bottom end and more detail off the top.

Independent shopping perspective
Large-diaphragm cardioid condenser with a hand-sized tapered body. For vocalists who want detail and full range on stage or in the room.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
A true DC-bias large diaphragm, not an electret — fuller bottom end and more detail off the top.
Detail 02
Quiet passages stay clean; pushing preamp gain does not bring up mic hiss with it.
Detail 03
Takes a singer belting inches off the grille without the capsule distorting.
Detail 04
Gentle slope. Trims stage rumble and proximity boom but leaves chest weight in the voice.
Detail 05
Full range, so breath and air on top come through instead of a dynamic's rolled-off treble.
Detail 06
Low enough to drive long stage snakes without losing high end along the run.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes, 11–52V DC at about 4 mA typical. It is an externally polarized condenser, so the phantom supply is doing real work, not just powering an electret.
Both. The tapered hand-sized body and stand clamp suit stage vocals, and the 14 dB self-noise floor and 20 Hz–20 kHz response hold up for tracking.
The AT8470 Quiet-Flex stand clamp for 5/8-inch-27 threads. A stand and cable are separate purchases.
More top-end detail and lower noise, and it needs phantom power. The trade is that a cardioid condenser also hears more of the stage around the singer.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.