Detail 01
X/Y stereo, one capsule pair
Both elements sit at the same point, so the stereo image stays mono-compatible with no phase cancellation.

Independent shopping perspective
A single-point X/Y stereo condenser for field recording, ambience and live capture. For anyone who needs true stereo from one mic on a boom or camera.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Both elements sit at the same point, so the stereo image stays mono-compatible with no phase cancellation.
Detail 02
Works on cameras and recorders that supply no phantom power, and switches to phantom when it is available.
Detail 03
One cable splits to two 3-pin XLRs for recorders; the short one ends in 3.5mm for cameras.
Detail 04
The top octave is rolled off, so cymbals and room air read slightly softer than on wider-range condensers.
Detail 05
Cuts traffic rumble, HVAC and boom handling noise before it reaches the recorder.
Detail 06
Quiet ambiences pushed with heavy gain will show some self-noise; close and moderate sources stay clean.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. One 1.5V AA runs it for roughly 700 hours, so it works on cameras and recorders that supply no phantom power.
Yes. The short supplied cable runs from the mic's 5-pin output to a 3.5mm TRS plug. The longer cable splits to two 3-pin XLRs for recorders and mixers.
No. The X/Y angle is fixed. You change perceived width by moving the mic closer to or further from the source.
247 grams, 7.32 inches long, and under an inch across the body. Light enough for a shoe mount and easy to boom for long takes.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.