Detail 01
Line + gradient pattern
Narrow forward pickup with strong side rejection. Aim matters — a few degrees off axis noticeably dulls the source.

Independent shopping perspective
A 14.5-inch shotgun condenser for video, field, and boom work. Runs on phantom power or a single AA, so it works on a camera rig or a console.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Narrow forward pickup with strong side rejection. Aim matters — a few degrees off axis noticeably dulls the source.
Detail 02
1200 hours typical on one alkaline. You can hang it off a camera or recorder with no phantom supply.
Detail 03
Phantom gives 12 dB more headroom. On battery near loud sources you are closer to distortion.
Detail 04
Cuts traffic rumble, wind, and stage thump outdoors without touching your recorder's EQ.
Detail 05
Light enough for all-day boom work, but long enough to foul tight frames and low ceilings.
Detail 06
Rolls off the deepest bass, which suits dialogue — less rumble to fight in the edit.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. One AA runs it roughly 1200 hours. You lose some headroom and sensitivity versus phantom, but it works on any XLR input.
It narrows what you hear to what you point at, reducing sides and rear. It does not silence a noisy room — placement still does most of the work.
The included clamp fits 5/8-27 threads with a 3/8-16 adapter. For a camera shoe you need a separate shoe mount, ideally shock-isolated.
Yes, if the room is treated. Shotguns in small reflective rooms can pick up odd off-axis coloration, so keep it close and above the talent.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.