Detail 01
Line plus gradient pattern
An interference tube narrows the front pickup. Aim it precisely — off-axis sound is not just quieter, it is coloured.

Independent shopping perspective
A 9-inch shotgun condenser that runs on phantom or battery. For boom work, video interviews and reaching a source you cannot mic up close.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
An interference tube narrows the front pickup. Aim it precisely — off-axis sound is not just quieter, it is coloured.
Detail 02
Works on 11 to 52V from a mixer, or on its own cell when the camera supplies no power at all.
Detail 03
Battery mode costs you 12 dB of headroom and a chunk of dynamic range. Use phantom whenever it is available.
Detail 04
Full range for a shotgun, so voices keep their body. Room noise and traffic rumble come along with it.
Detail 05
Cuts handling thumps from the pole and low wind rumble at the capsule, before it ever hits the recorder.
Detail 06
Light enough for a boom pole or a shockmount above a camera without fighting the rig for balance.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It runs on an internal battery when phantom is unavailable, with lower headroom and dynamic range. Phantom works from 11 to 52V.
Yes. The included clamp fits 5/8-inch stands, and the supplied adapter steps it down to 3/8-inch European threads.
Yes, with wind protection. The supplied foam handles indoor air movement; real outdoor wind needs a basket and fur cover, plus the 80 Hz roll-off.
It narrows the pickup rather than amplifying distance. It works best a few feet from the source; farther back, room reflections take over.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.