Detail 01
Line + gradient (shotgun) pattern
Narrow forward lobe. Off-axis sound is rejected but also colored, so aiming accuracy matters more than with a cardioid.

Independent shopping perspective
Short shotgun condenser for video, film and ENG. Buy it to isolate dialogue on a boom or camera when you can aim it at the source.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Narrow forward lobe. Off-axis sound is rejected but also colored, so aiming accuracy matters more than with a cardioid.
Detail 02
Battery mode makes it usable straight into a camera or recorder with no 48V. Roughly 1200 hours on an alkaline.
Detail 03
You give up 14 dB of headroom running on the AA. Use phantom power for anything loud.
Detail 04
Full range, unlike speech-only mics. Ambience and music captured on location keep their body and top end.
Detail 05
A gentler cut than a steep filter. Trims wind and handling rumble while leaving male voices intact.
Detail 06
Short for a shotgun. It stays out of a wide shot on a boom and does not overhang a small camera.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. The AT8405a clamp plus the included 5/8"-27 to 3/8"-16 adapter fits standard shoe mounts and boom poles. A shock mount is worth adding.
No. One AA runs it for about 1200 hours. Phantom power is still better for loud sources, since max SPL rises from 98 dB to 112 dB.
It is designed to be aimed at one source from a distance. In a reflective room the narrow pattern picks up colored reflections rather than rejecting them.
Close enough to aim precisely. A boom just above the frame line is the normal working position; the further back you go, the more room you hear.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.