Detail 01
152 dB max SPL
Sits inches from a snare or trumpet bell without the capsule breaking up.

Independent shopping perspective
Slim cardioid condenser built for loud instrument sources — drums, cabs, brass. For engineers miking instruments in tight spaces, not for vocals.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Sits inches from a snare or trumpet bell without the capsule breaking up.
Detail 02
Drops level before your preamp input, so the mic stage stays clean on the loudest sources.
Detail 03
Steep cut that clears stage rumble and kick bleed out of a hi-hat or overhead channel.
Detail 04
Pencil body slots between cymbals and under toms where a wide mic won't physically go.
Detail 05
Hot output for a condenser, so most preamps need modest gain and stay quiet.
Detail 06
Runs off standard 48V and also off the lower-voltage phantom on small mixers.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It takes 11–52V DC phantom, drawing about 3.5 mA. Any standard 48V preamp, interface or mixer channel will run it; there is no battery option.
It will work, but it is built as an instrument mic. The narrow body and steep 80 Hz filter suit drums, cabs and horns more than a lead vocal.
Yes. Maximum input is 152 dB SPL, and the 10 dB pad gives extra headroom before your preamp on the loudest hits.
No. You get the AT8471 isolation clamp for 5/8-inch-27 threads, a 3/8-inch-16 adapter, a windscreen and a pouch. The stand or drum mount is separate.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.