Detail 01
Small diaphragm
Faster transient response than a large capsule. Picks up pick attack, stick hits and string detail more literally.

Independent shopping perspective
A small-diaphragm cardioid condenser for close, detailed work on acoustic sources. For home and project studios recording drums, acoustic instruments and cabinets.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Faster transient response than a large capsule. Picks up pick attack, stick hits and string detail more literally.
Detail 02
Hears the front, rejects the rear. Point the back at what you want out of the recording.
Detail 03
Needs 48V phantom power from a mixer or interface. It will not work plugged into an unpowered input.
Detail 04
Fits into tight spots — under a hi-hat, inside a drum kit, right at the 12th fret.
Detail 05
Sits above starter condensers but below studio staples. A working mic rather than a first-mic compromise.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
You can, and it will be clear and detailed, but small-diaphragm condensers give a thinner, more clinical vocal than a large-diaphragm mic. It is better suited to instruments.
Yes. It is a condenser, so it requires 48V phantom from your interface, mixer or a standalone phantom supply.
One works as a mono overhead and can sound good. For a stereo image over the kit you want two matched mics.
Yes, on acoustic instruments and overheads. Cardioid helps with bleed, but condensers are more sensitive to stage noise than dynamics.