Detail 01
Half-cardioid pattern
The mounting surface becomes part of the mic. Set it on the table and it hears only what's above.

Independent shopping perspective
A miniature boundary condenser that mounts on a table, lectern or stage floor and picks up speech in the hemisphere above it. Priced for multi-mic installs.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The mounting surface becomes part of the mic. Set it on the table and it hears only what's above.
Detail 02
Deliberately narrow. Trims room rumble and hiss, keeps speech clear, but it isn't a full-range music mic.
Detail 03
Handles a raised voice or a loud room from inches away without the capsule distorting.
Detail 04
Reaches from a table to a wall plate without an extra run, but a damaged cable means replacing the mic.
Detail 05
Works off almost any mixer or interface, including battery-powered field units at the low end of the range.
Detail 06
Under two-thirds of an inch tall, so it disappears on a conference table and won't block sightlines.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It takes 9 to 52 volts DC and draws about 2 mA, so any standard mixer or audio interface phantom supply will run it.
25 feet, permanently attached, terminating in a 3-pin male XLR. It cannot be detached or swapped.
It's built for speech. The response stops at 14 kHz and starts at 70 Hz, so instruments lose both low end and top-end detail.
No. It's a boundary mic that relies on a flat surface — table, floor, lectern or wall — to form its half-cardioid pattern.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.