Detail 01
28Hz to 18kHz response
Reaches genuine sub-bass territory. That extra low octave is the main practical difference from the PR 30.

Independent shopping perspective
A $379 large-diaphragm dynamic mic with extended low end. For broadcast voice, kick drum and bass cabs where you want weight below what most dynamics reach.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Reaches genuine sub-bass territory. That extra low octave is the main practical difference from the PR 30.
Detail 02
Address the end of the mic, not the side. Front pickup with strong rejection behind.
Detail 03
Sound arriving off-axis stays natural instead of hollow, so bleed and room reflections sit less obtrusively in a mix.
Detail 04
Low output. Expect to run a preamp fairly hot, so preamp noise floor matters more than with a condenser.
Detail 05
Strong magnet and light diaphragm give more output and faster transient response than a typical dynamic design.
Detail 06
Heavy and solid. It resists handling noise but needs a stand or arm rated to hold a pound steady.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is a passive dynamic mic. Phantom power is neither required nor harmful, and makes no difference to its output.
The PR40 goes down to 28Hz against the PR 30's 40Hz, and costs $80 more. That low extension is what you pay for.
Yes. The 28Hz low-end reach and cardioid rejection suit close kick miking, where sub weight and isolation from cymbals both matter.
Yes, if the arm is rated for a pound and its mount fits the mic's thread. Lighter desk arms sag under this weight.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.