Detail 01
40Hz to 18kHz response
Full-range for a dynamic. Reaches high enough for airy detail on voice, but stops short of true sub-bass territory.

Independent shopping perspective
A $299 large-diaphragm dynamic mic for spoken word, broadcast and instrument close-miking. For anyone wanting condenser-like detail with a dynamic's room rejection.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Full-range for a dynamic. Reaches high enough for airy detail on voice, but stops short of true sub-bass territory.
Detail 02
You speak into the end, not the side. Picks up what's in front, rejects what's behind and to the sides.
Detail 03
Off-axis sound stays tonally natural rather than turning boxy, so room reflections and bleed are less distracting.
Detail 04
Low output, typical of dynamics. Your preamp will need to be turned up well past where a condenser sits.
Detail 05
Light diaphragm reacts fast to transients, which is why it reads closer to a condenser than most dynamics.
Detail 06
Standard balanced XLR into any mic input. The weight means a solid stand or a properly rated boom arm.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is a dynamic microphone and runs passively. Phantom power will not damage it, but it does nothing for it either.
The PR 40 extends lower, to 28Hz versus 40Hz, and costs more. The PR 30 covers the same working range for voice and most instruments.
Yes. The cardioid pattern and even off-axis response keep room sound and echo down compared with a condenser at the same distance.
Any standard balanced XLR cable. The output is 600 ohms balanced, so it works with any normal mic preamp input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.