Detail 01
-59 dBV/Pa sensitivity
Very low output. Most interface preamps run out of clean gain, so budget for an inline preamp.

Independent shopping perspective
Dynamic cardioid mic for close vocals and speech. Standard for podcasting, broadcast, and untreated rooms where a condenser picks up too much.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Very low output. Most interface preamps run out of clean gain, so budget for an inline preamp.
Detail 02
No phantom power needed, and it shrugs off high volume without distorting.
Detail 03
Rejects sound from behind, so keep monitors and noise sources off-axis to the rear.
Detail 04
Roll-off tames proximity boom up close; presence boost lifts intelligibility for voices that sit dull.
Detail 05
Handles desk thumps and boom-arm bumps without an external shock mount.
Detail 06
Built to sit near computer monitors and screens without picking up buzz.
Detail 07
Heavy enough that a light desk arm will sag. Use a sturdy boom.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Usually yes. Output is low enough that most interfaces hit noisy territory before reaching usable level. An inline preamp adds clean gain.
No. It's a dynamic mic. If you add an inline preamp, that device will need 48V from your interface.
A few inches from the grille. Back off and level drops fast while the room becomes audible.
Neither. It has an integrated swivel yoke with a captive stand nut, so it mounts to a standard stand or arm directly.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.