Detail 01
Condenser element
Needs 48V phantom power from your interface or mixer. Without it, you get no signal at all.
Product detailSKU #1273887989264
AudixF9 Small Diaphragm Condenser Microphone
Independent shopping perspective
The Korena take
A small-diaphragm condenser for close-miking sources that need speed and detail — cymbals, acoustic instruments, percussion. Priced for players building a first mic locker.
Strong match
Who this is for
- Drum overheads and hi-hat on a home or project kit
- Close-miking acoustic guitar, mandolin or hand percussion
- Adding detail where a dynamic sounds dull
Consider the trade-offs
When to look elsewhere
- Handheld live vocals — this isn't a stage vocal mic
- Anyone without phantom power on their mixer or interface
- Rough handling; condensers are more fragile than dynamics
What matters in use
The specifications, translated
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 02
Small diaphragm
Faster transient response than a large diaphragm, so stick attacks and string plucks stay defined.
Detail 03
Pencil-body format
Slim shape fits into tight spots — under a hi-hat, between toms, close to a soundhole.
Detail 04
Higher sensitivity than a dynamic
Picks up more room and more bleed. Better in a treated or quiet space than a loud stage.
Detail 05
$149 price
Low enough to buy a matched pair for stereo overheads without a large outlay.
Final check
Know before you order
- 01Phantom power is required — confirm your interface or mixer supplies 48V
- 02You'll want a second one for stereo overheads
- 03Needs a boom stand and XLR cable; check what ships in the box
Product questions
Before you decide
Straight answers to the questions shoppers most often ask about this product.
01Do I need phantom power for this mic?
Yes. It's a condenser and won't produce signal without 48V. Nearly all audio interfaces and powered mixers have a phantom switch.
02Can I use it for vocals?
It'll record vocals, but small-diaphragm condensers are aimed at instruments and cymbals. For a vocal focus, look at a large-diaphragm mic.
03Should I buy one or two?
Two if you want stereo drum overheads or a stereo acoustic setup. One is fine for spot-miking a single source.
04Will it handle loud drums?
It's built for percussion and cymbals at close range. On very loud sources, back it off or use your interface pad if it has one.
Reference
Full specifications
The complete catalog record, organized around the decisions musicians make when comparing gear.
3 detailsSound
- Polar Pattern
- Cardioid
- Frequency Response
- 40Hz-20kHz
- Sensitivity
- 8 mV/Pa@1k
2 detailsBody & build
- Body Finish
- Black coat
- Finish
- Black coat
3 detailsConnections & power
- Output Impedance
- 200 ohms
- Power Requirements
- 12-48V phantom power
- Connector
- 3-pin gold-plated male XLR connector
2 detailsSize & weight
- Length
- 4-3/8 inch (111 mm)
- Weight
- 3.2
9 detailsOther
- Transducer Type
- Pre-polarized condenser
- Housing
- Cast zinc alloy
- Signal to Noise Ratio
- 72dB
- Off Axis Rejection
- ‰ 24dB
- Dynamic Range
- 115dB
- Maximum SPL
- ‰ 137dB
- Noise Floor
- 22dB (A-weighted)
- Capsule Technology
- Gold vapor diaphragm
- Polarity
- Positive pressure on diaphragm produces positive voltage on pin 2 relative to pin 3 of output XLR connector
