Detail 01
Hypercardioid pattern
Tighter than cardioid with a small rear lobe. It rejects sound from the sides, which helps against stage wedges.

Independent shopping perspective
A 50-inch carbon fiber miniature boom with a hypercardioid condenser capsule, built for hanging or stand-mounting a mic over choirs, ensembles and stage areas.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Tighter than cardioid with a small rear lobe. It rejects sound from the sides, which helps against stage wedges.
Detail 02
Long reach with very little weight, so the mic sits over the source without a heavy stand or visible cabling.
Detail 03
Lower output than the M1255B. At distance you will be running the preamp fairly hot.
Detail 04
Quiet enough that hiss stays under a choir at distance, with headroom for loud peaks.
Detail 05
It will not distort near drums, brass or a loud stage even placed close.
Detail 06
Capsule and boom connect with mini-XLR, so the run to your mixer needs the matching Audix cabling.
Detail 07
Rolled off below 50 Hz, which cuts stage rumble and HVAC noise you do not want at distance.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It is a condenser and requires 18 to 52 volts. Any mixer or interface with standard 48V phantom will run it.
It is designed for suspended and stand-mounted distance miking. The carbon fiber rod is light enough for overhead placement over a choir or ensemble.
This is a complete assembly: the 50-inch boom plus a hypercardioid capsule. The tighter pattern gives more rejection off the sides than a standard cardioid.
Not directly. The connections are mini-XLR, so you need Audix's matching cable or adapter to reach a standard XLR mixer input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.