Detail 01
Cardioid pattern
Wide front pickup with rear rejection. Covers a section evenly and forgives players who drift off axis.

Independent shopping perspective
A 50-inch carbon fiber boom with a miniaturized cardioid condenser on the end, for hanging or standing choir, orchestra and stage-front pickup.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Wide front pickup with rear rejection. Covers a section evenly and forgives players who drift off axis.
Detail 02
Thin enough to read as a line, not a mic. Gets the capsule over a group without a boom arm in frame.
Detail 03
Handles a full choir or brass section peaking close by without the capsule folding over.
Detail 04
Quiet enough for distant miking, where you run high gain and the preamp hears everything.
Detail 05
Rolls off below 50Hz, which keeps stage rumble and HVAC out of a mic hung in open air.
Detail 06
Capsule and boom detach. Cable runs are mini-XLR, not standard XLR, so plan the connection to your mixer.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. The condenser capsule needs 18-52V phantom from your mixer or interface to work at all.
Cardioid covers a wider area in front, so it's more forgiving for a spread-out group. Hypercardioid is tighter and rejects more from the sides.
Both ends are 3-pin mini-XLR: male at the bottom of the boom, female at the top for the capsule. Plan your run accordingly.
130dB max SPL at 5% THD, so a full choir, brass or drums at normal miking distance is not a problem.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.