Detail 01
Switchable cardioid / super-cardioid
Cardioid rejects rear sound; super-cardioid narrows the front and picks up a small rear lobe. Match to monitor placement.

Independent shopping perspective
Large-diaphragm handheld condenser for lead vocals on stage. For singers who want detail and air that a dynamic mic can't give, on loud stages.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Cardioid rejects rear sound; super-cardioid narrows the front and picks up a small rear lobe. Match to monitor placement.
Detail 02
Handles a screaming vocalist or a snare at inches without distorting. The pad switch buys 10dB more headroom.
Detail 03
Wider than a typical stage dynamic on both ends. More low-end proximity and more sibilance to manage in the mix.
Detail 04
Won't work off a passive splitter or a mixer without phantom. Check every channel it might land on.
Detail 05
Hotter output than most stage dynamics. Set gain lower at the preamp than you would with a dynamic mic.
Detail 06
Heavier than a standard handheld. Noticeable on a long set held one-handed.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It's a large-diaphragm condenser with a full 40Hz–20kHz response, so it records well. It's built as a handheld, so you'll want a clip or stand mount.
Yes, 48V at 3.5mA. There's no battery option. If your mixer or interface can't supply phantom on that channel, the mic won't pass signal.
Cardioid has broader front pickup and rejects directly behind. Super-cardioid is tighter up front but picks up a little from the rear — reposition wedges accordingly.
On very loud sources. It drops sensitivity to 2.3 mV/Pa and raises max SPL to 152dB, preventing the capsule from overloading the preamp.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.