Detail 01
9-52V phantom power
Runs on a wide voltage range, so it works off small mixers and battery boxes, not just full 48V desks.

Independent shopping perspective
Cardioid condenser with a machined brass body, 132dB SPL handling and a switchable roll-off. For miking drums, acoustic instruments and amps that need detail.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Runs on a wide voltage range, so it works off small mixers and battery boxes, not just full 48V desks.
Detail 02
Takes very loud sources without distorting. The pad buys another 10dB for snare and cymbal close work.
Detail 03
The switch cuts everything below 150Hz — kills stage rumble and proximity boom when you mic close.
Detail 04
Heavier and stiffer than plastic or thin metal. Handles road use and stays put on a boom arm.
Detail 05
Audible on very quiet sources. Fine for drums and amps; less suited to whisper-level room capture.
Detail 06
Drives long XLR runs without loss. No special preamp matching needed.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It accepts anything from 9V to 52V, so most interfaces and mixers will run it.
The mic, an adjustable Dclip mount, a metal adapter for European stand threads, a foam windscreen and a vinyl carrying case.
Yes. It takes 132dB SPL, and the pad raises that to 142dB — enough for close snare and cymbals.
It cuts response below 150Hz, reducing low-end rumble and the bass buildup that happens when you mic something up close.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.