Detail 01
Boundary design
Sits against the surface and uses it as part of the pickup, avoiding the phase cancellation a raised mic gets.

Independent shopping perspective
A pre-polarized condenser boundary mic that lies flat on a surface. For conference tables, lecterns, and stage floors where a mic stand is in the way.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Sits against the surface and uses it as part of the pickup, avoiding the phase cancellation a raised mic gets.
Detail 02
Aims into the room in front of it rather than picking up the whole table equally.
Detail 03
Low end rolls off below speech range, so HVAC rumble and stage thumps come through less.
Detail 04
Moderate output. Expect to run more preamp gain than a large-diaphragm studio condenser needs.
Detail 05
The capsule holds its own charge, so supplied power runs the electronics rather than the diaphragm.
Detail 06
Low impedance, so long balanced runs back to a rack mixer hold up fine.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. It's built to lie against a flat surface and work with it. Held in the air or on a stand, it loses the response it's designed around.
Yes. It's a condenser, so it needs phantom power from a mixer or audio interface. It won't pass signal without it.
It'll work on the soundboard or under the lid, though the 50 Hz low limit means less weight in the bottom octaves than a full-range mic.
It sits flush against a surface instead of above it, so reflections off that surface reinforce the signal rather than causing comb filtering.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.