Detail 01
46Hz to 18kHz frequency response
Low end reaches kick fundamentals; the top rolls off before harsh cymbal range, so bleed sounds less brittle.

Independent shopping perspective
Four-mic kit for miking a drum set. For anyone recording or miking drums live who needs kick and toms covered in one purchase.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Low end reaches kick fundamentals; the top rolls off before harsh cymbal range, so bleed sounds less brittle.
Detail 02
Your interface or mixer must supply phantom power on every channel used. Without it, the mics stay silent.
Detail 03
Handles the volume right on a snare or kick without distorting. Close-miking a hard hitter is fine.
Detail 04
Covers kick and three drums. Overheads and hi-hat are separate purchases if you want full coverage.
Detail 05
Faster transient response than dynamics. Stick attack and shell detail come through more clearly.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Four mics cover kick and toms. Cymbals and overall kit picture need overhead mics you buy separately.
Only if it supplies phantom power between 9 and 52 volts on each channel you use. Check your interface specs first.
Yes. The 132 dB SPL ceiling is well above what a kick produces at close range, so it won't distort.
Check the packaging before ordering. Plan on stands or rim mounts for the tom and kick positions either way.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.