Detail 01
Hypercardioid pattern
Tighter front pickup than cardioid, with a small rear lobe. Set wedges off to the sides, not directly behind the mic.

Independent shopping perspective
An inexpensive hypercardioid dynamic built for loud stages. For live vocals and instrument miking where bleed from monitors and neighbors is the problem.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Tighter front pickup than cardioid, with a small rear lobe. Set wedges off to the sides, not directly behind the mic.
Detail 02
Quiet output, typical of dynamics. Expect to run the preamp gain high, which can expose hiss on budget interfaces.
Detail 03
Rolls off the sub rumble and the airy top. Voices sit forward and cut through a mix without extra EQ.
Detail 04
No phantom power, no battery, nothing to damage with a hot plug or a dropped stand at load-in.
Detail 05
Standard low-impedance output. Works with any XLR preamp and tolerates long cable runs across a stage without losing top end.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is a dynamic microphone and runs entirely off the preamp input. Leaving 48V on will not harm it, but it does nothing.
No. The output is 3-pin XLR, so you need an audio interface or mixer with an XLR input and a mic preamp.
It rejects sound from the sides more aggressively, so less monitor and drum bleed. In exchange it picks up a bit from directly behind.
It will, but the low output means high preamp gain, and the 16 kHz ceiling gives less air than a condenser.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.