Detail 01
Hypercardioid pattern
Tighter than cardioid, so more level before feedback, but place wedges off to the sides rather than dead behind.

Independent shopping perspective
A handheld dynamic vocal mic built for loud stages. Buy it if feedback and bleed are your main problems at gigs.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Tighter than cardioid, so more level before feedback, but place wedges off to the sides rather than dead behind.
Detail 02
Deliberately trimmed at the top and bottom. Keeps cymbals and stage rumble out of the vocal channel.
Detail 03
No phantom power, no fragile diaphragm. Survives handling, drops and very high volume right up against the grille.
Detail 04
A quiet output. You will run the preamp higher than on a condenser, so a clean channel matters.
Detail 05
Low impedance balanced out. Long XLR runs across a stage cause no audible loss.
Detail 06
Standard three-pin male out. Plugs into any mixer or interface mic input with a normal XLR cable.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's a dynamic mic, so it works on any mic input with or without phantom power switched on.
For feedback control, usually yes — the tighter hypercardioid pattern rejects more of what's on stage. It demands closer, steadier mic technique in return.
Yes, into any interface with an XLR input. Expect to add gain, and expect a live-tuned sound rather than a bright studio one.
Yes. Dynamic mics take very high sound pressure without distorting, which is why they're standard for loud stages.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.