Detail 01
Hypercardioid pattern
Tighter than cardioid. Rejects more from the sides, but has a rear lobe, so keep monitors off-axis behind it.

Independent shopping perspective
Hypercardioid dynamic mic aimed at instruments on stage. For guitar cabs, drums, and brass where stage bleed is the problem.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Tighter than cardioid. Rejects more from the sides, but has a rear lobe, so keep monitors off-axis behind it.
Detail 02
Rolls off below 80 Hz, which cuts stage rumble and proximity boom but limits deep kick and bass content.
Detail 03
Standard low impedance. Runs long cable lengths into any mic preamp without high-end loss.
Detail 04
Fairly low output. You will run more preamp gain than with a condenser, so a quiet preamp helps.
Detail 05
The clamp is designed to damp cable and stand noise, which matters when the mic sits on a live stage.
Detail 06
Slim and long enough to fit between toms or under a cymbal without fighting for space.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
You can. It is voiced and shaped for instruments, and the tight pattern demands consistent mic position, so a moving singer will hear the level shift.
Yes. The included clamp threads 5/8 inch-27, and the supplied adapter steps it down to 3/8 inch-16 for most European stands.
No. It is a dynamic element and runs off the preamp alone.
Response starts at 80 Hz, so you lose the sub thump most kick sounds are built on. Use a dedicated kick mic instead.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.