Detail 01
Both ends are male
It bridges two female jacks. It will not plug into a cable end — check your connector genders first.

Independent shopping perspective
An XLR male to 1/4" mono male adapter. Joins two female jacks — an XLR input and a 1/4" input — without a cable between them.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
It bridges two female jacks. It will not plug into a cable end — check your connector genders first.
Detail 02
Unbalanced. Collapses the XLR's balanced pair, so you lose noise rejection over any real distance.
Detail 03
Goes into an XLR female input. Sends signal toward the mixer, not back out of it.
Detail 04
Standard plating. Fine for regular use; gold holds up better in humid or salt-air venues.
Detail 05
The full weight loads the jack directly. Fine in a rack, awkward on a floor pedal.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Not directly. A mic cable ends in XLR female, and this adapter's XLR end is also male. You would need an XLR female to 1/4" adapter instead.
No. The 1/4" end is mono TS, which is unbalanced. You lose the noise rejection a balanced XLR run gives you, so keep the distance short.
It will pass signal, but a guitar is instrument level and an XLR mic input expects mic level. Expect impedance mismatch and a thin tone. A DI box is the better path.
It is the plating on the contacts. Nickel conducts well and resists tarnish. Gold plating costs more and holds up better in damp environments.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.