Detail 01
XLR female end
Accepts an XLR male plug, so it adapts a cable end, not a device output jack.

Independent shopping perspective
A nickel-plated XLR female to RCA male adapter for patching a balanced mic-level or line-level source into an unbalanced RCA input.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Accepts an XLR male plug, so it adapts a cable end, not a device output jack.
Detail 02
Plugs directly into RCA inputs on stereo receivers, recorders and consumer gear.
Detail 03
Harder and more scratch-resistant than gold; slightly higher contact resistance, inaudible at line level.
Detail 04
One leg of the balanced signal is dropped or shorted, so noise rejection is lost.
Detail 05
Carries one channel only. Stereo RCA pairs need two of these.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Physically yes, but a mic puts out far less signal than a stereo RCA input expects, so it will be very quiet. Use a preamp first.
No. An RCA connection has no path for phantom power, so condenser mics will not work through this.
No. RCA is unbalanced by design, so the noise-rejecting balanced connection ends at this adapter.
Two. Each adapter handles a single channel, so a stereo pair of RCA inputs needs one per side.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.