Detail 01
Male XLR to male RCA
Plugs into a female XLR jack on one side and a female RCA jack on the other. Both ends are pins, not sockets.

Independent shopping perspective
An XLR male to RCA male adapter for feeding a balanced XLR output into an RCA input on a mixer, amp, or recorder.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Plugs into a female XLR jack on one side and a female RCA jack on the other. Both ends are pins, not sockets.
Detail 02
The XLR side is balanced, the RCA side is not. Noise rejection ends at the adapter, so keep the RCA run short.
Detail 03
No level matching. A +4 dBu pro output into a -10 dBV consumer input will run hot and may need trimming.
Detail 04
Handles one channel only. Stereo means buying two and running left and right separately.
Detail 05
Durable contact surface at a low price. Wipe the RCA pin occasionally if connections start to get intermittent.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. A mic puts out far too little signal for an RCA line input, and there is no preamp here. You will barely hear it.
Electrically it passes signal either way, but the connectors decide. Both ends are male, so it needs a female XLR jack and a female RCA jack.
The signal itself passes through fine. You lose balanced noise rejection past the adapter, so keep the RCA cable short.
Yes. Each adapter carries one channel, so a stereo pair takes two — one for left, one for right.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.