Detail 01
XLR female end
Accepts a male XLR plug, which is the end of a standard mic cable. It does not connect to a mic body.

Independent shopping perspective
Adapter that turns a female XLR into a 1/4" stereo plug. Used to feed an XLR cable into a TRS input on a mixer or interface.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Accepts a male XLR plug, which is the end of a standard mic cable. It does not connect to a mic body.
Detail 02
Three conductors, so the XLR's balanced pair stays balanced into a TRS input. Noise rejection survives the transition.
Detail 03
Only works as balanced if the jack you plug into is TRS. A TS input collapses it to unbalanced.
Detail 04
Standard plating that survives repeated plugging. Wipe it occasionally if it starts getting scratchy.
Detail 05
Hangs off the jack. Weight and leverage sit on the input, so support it on rack or console gear.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Physically yes, but mic level is far below line level. Without a preamp the signal will be very quiet and noisy. Use a mic input where possible.
Yes, if the destination jack is TRS. The XLR's two signal conductors map to tip and ring. Plug into a TS jack and it becomes unbalanced.
Don't count on it. Phantom is supplied by an XLR mic input, and routing a mic through a 1/4" jack takes it off that path. Power a condenser from a proper mic pre.
The stereo TRS version keeps the balanced pair intact into a TRS input. A mono TS version ties one leg to ground and gives you an unbalanced signal.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.