Detail 01
300Hz–3.4kHz frequency response
The response emphasizes a midrange-focused telephone-style voice.

Independent shopping perspective
Trash Talk Audio’s black Payphone Mic puts a dynamic cardioid capsule into an ABS payphone handset. Its 300Hz–3.4kHz response is built for a deliberately narrow, telephone-style sound rather than a full-range vocal capture, so it can establish that character at the source without plug-ins. Connect its 3-pin male XLR output to a mixer, interface, or hardware effects unit. The cardioid pattern is described as helping isolate the source in louder stage or rehearsal environments, and a mic clip is included for stand mounting.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The response emphasizes a midrange-focused telephone-style voice.
Detail 02
The pattern is described as helping isolate the intended source in louder spaces.
Detail 03
It connects by XLR to a mixer, interface, or hardware effects unit.
Detail 04
The microphone is housed in an ABS payphone handset with a vandal-resistant build.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Its 300Hz–3.4kHz response produces a midrange-focused telephone-style character.
Yes. A mic clip is included for stand mounting.
It has a 3-pin male unbalanced XLR connector.
Trash Talk Audio provides free lifetime repairs.
Reference
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