Detail 01
XLR to XLR, 25 feet
Long enough to reach from a stage position back to a side mixer without tension on the connectors.

Independent shopping perspective
A 25-foot XLR mic cable with the standard male-to-female wiring. The default choice for connecting a microphone to a mixer or interface.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Long enough to reach from a stage position back to a side mixer without tension on the connectors.
Detail 02
Noise picked up along the run gets cancelled at the input, so 25 feet stays quiet near lighting and power.
Detail 03
One male end, one female end, so it plugs mic-to-board directly with no adapters.
Detail 04
Mid-tier pricing for the length. Costs more per foot than bulk cable but arrives terminated and tested.
Detail 05
Disappears against stage floors and mic stands, which helps visually but makes it harder to trace in a tangle.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. Balanced XLR cable passes 48V phantom power from the preamp to the mic without any special wiring.
It depends on your room. It gives slack to reposition a mic, but coils up on a desk. A 10 or 15 foot run is tidier for a fixed setup.
Yes. Any device with a balanced XLR output or input takes this cable, including DI boxes, stage boxes, and powered speakers.
Not meaningfully at 25 feet. Balanced XLR is built for long runs; signal loss becomes a discussion at hundreds of feet, not tens.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.