Detail 01
XLR, low impedance
The balanced connection rejects hum picked up over long runs. This is why 50 feet is workable at all.

Independent shopping perspective
50-foot low-impedance XLR microphone cable. For stage runs where the mic position is far from the snake or mixer.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The balanced connection rejects hum picked up over long runs. This is why 50 feet is workable at all.
Detail 02
Enough to cross a stage. Also enough to coil badly and tangle, so learn over-under coiling.
Detail 03
Carries phantom power to condenser mics from the mixer, so no separate power supply at the mic.
Detail 04
Disappears on a dark stage and against black cable ramps. Harder to spot when striking gear at night.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Mic cable uses thin conductors for low-current signal. Running amplifier output through it can overheat the cable and damage the amp.
Yes. A balanced XLR cable passes 48V phantom from the mixer to a condenser mic. No separate supply needed at the mic end.
No. Balanced low-impedance mic lines are designed for long runs. 50 feet is well within normal range for live sound.
The female end connects to the microphone. The male end goes into the mixer, snake or interface input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.