Detail 01
Balanced XLR
The three-conductor design cancels interference along the run, so long cables stay quiet.

Independent shopping perspective
A 25-foot balanced XLR microphone cable. For live vocal mics, stage runs to a snake or mixer, and any low-impedance mic connection.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The three-conductor design cancels interference along the run, so long cables stay quiet.
Detail 02
Matches standard stage and studio mics. This is what nearly every modern mic expects.
Detail 03
Reaches from a stage-front mic to a side stage box without a coupler. Balanced signal means no tone loss at this distance.
Detail 04
Male end goes to the mixer or interface input, female end to the mic. Cables chain end to end if you need more length.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. A standard balanced XLR cable passes 48V phantom power from your mixer or interface to a condenser mic.
No. Guitars use unbalanced 1/4 inch instrument cables. You would need an XLR to 1/4 inch adapter, and that defeats the purpose.
No. Balanced cable rejects noise over distance, so 25 feet is routine for live and studio use.
Yes. XLR ends mate male to female, so cables chain to extend a run. Keep total length reasonable to avoid cable clutter.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.