Detail 01
Dynamic moving coil
No phantom power needed, no internal electronics to fail, and it survives being dropped on a stage floor.

Independent shopping perspective
The standard handheld dynamic vocal mic, bundled with a cable and stand. Buy it as a first live vocal rig or a spare that never dies.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
No phantom power needed, no internal electronics to fail, and it survives being dropped on a stage floor.
Detail 02
Rejects what's behind it. Point the back end at your floor monitor and you get far more gain before feedback.
Detail 03
Low output. You'll need roughly 50 to 60dB of clean preamp gain, so cheap noisy preamps will hiss.
Detail 04
No top-end air above 15k. That's why it flatters loud vocals and tames cymbal spill instead of exposing them.
Detail 05
Long cable runs lose nothing. It needs an XLR input though — a 1/4 inch instrument jack won't work properly.
Detail 06
The ball spaces your lips off the capsule and knocks down plosives, which is why it works without a pop filter.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's a dynamic mic and generates its own signal. Leaving 48V on won't hurt it, but it does nothing for the sound.
Not directly. There is no USB connection. You need an audio interface or mixer with an XLR input and enough gain to feed it.
Output is -54.5 dBV/Pa, which is low. Dynamics need far more preamp gain than condensers. Turn the gain up and get closer to the mic.
Yes. The cardioid pattern and 50Hz-15kHz response suit guitar amps and snare drums, where you want isolation and no exaggerated top end.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.