Detail 01
50 Hz to 15 kHz response
Cuts stage rumble at the bottom and cymbal hiss at the top. Voices sit forward without extra EQ.

Independent shopping perspective
The standard stage vocal mic, bundled with a cable. For singers, speakers and anyone needing one mic that survives being handed around.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Cuts stage rumble at the bottom and cymbal hiss at the top. Voices sit forward without extra EQ.
Detail 02
Hears what's in front and rejects what's behind. Aim the back end at your monitor to keep feedback down.
Detail 03
Low output by design. Quiet singers need a preamp with plenty of clean gain, or the mix picks up hiss.
Detail 04
No phantom power, no fragile diaphragm. Takes a screaming vocal at an inch away without breaking up.
Detail 05
Heavy for its size and built to survive being dropped on a stage. Noticeable in the hand over a long set.
Detail 06
Matches any standard low-impedance mic input. Long cable runs to front of house stay quiet.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's a dynamic mic and runs off any standard mic input. Leaving phantom power on won't damage it.
Its sensitivity is -54.5 dBV/Pa, which is low. That's normal for a dynamic — turn the preamp up rather than moving closer than you need.
Yes, through an interface with an XLR input. It rejects room sound well, which helps in untreated spaces, but tops out at 15 kHz.
The cable does. Plan on buying a stand separately if you don't already have one.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.