Detail 01
Dynamic, not condenser
Rejects room reflections and background noise far better than a condenser. Good in a bedroom or office with no acoustic treatment.

Independent shopping perspective
End-address dynamic broadcast mic with a built-in pop filter, tuned for close-up spoken voice. For podcasters and voiceover work on XLR.


Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.

Detail 01
Rejects room reflections and background noise far better than a condenser. Good in a bedroom or office with no acoustic treatment.
Detail 02
Very quiet output. Expect to run your preamp near maximum, or add an inline gain booster on noisy interfaces.
Detail 03
Rolls off below 75Hz, so rumble and desk thumps stay out. Not the mic for full-range instrument capture.
Detail 04
Picks up what's in front, rejects what's behind. Speak directly into the end, not across the side.
Detail 05
Works with any standard mic preamp. No impedance matching or special interface required.
Detail 06
Heavy. A lightweight desk arm will droop; use a sturdy boom arm or a proper stand.
Final check

Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It's an XLR microphone, so you need an audio interface or mixer with a mic preamp between the mic and your computer.
No. It's a dynamic mic and runs without phantom power. Leaving 48V on won't harm it, but it does nothing for this mic.
Sensitivity is –56dB, which is low even for a dynamic. Turn the preamp gain well up, or use an inline preamp booster if your interface runs out of clean gain.
There's a pop filter built into the grille. Working slightly off-axis handles most remaining plosives, though a foam windscreen helps if you talk very close.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.