Detail 01
XLR on one end, TRS on the other
It adapts between connector types without a barrel adapter, so there is one less failure point in the run.

Independent shopping perspective
A 25-foot balanced patch cable with XLR on one end and TRS on the other, for tying gear with mismatched connectors into one signal path.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
It adapts between connector types without a barrel adapter, so there is one less failure point in the run.
Detail 02
The cable rejects hum picked up along its length, which is what makes a 25-foot run usable near lighting and power.
Detail 03
Enough to cross a stage or reach a speaker on a stand, with slack to coil at the base.
Detail 04
A cable-first brand, so the money goes into the conductor and connectors rather than packaging.
Detail 05
Disappears against stage floors and rack gear; harder to spot in a tangle of other cables.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. A mic needs XLR at both ends. This terminates in TRS, so it connects gear to gear, not a mic to a preamp.
Not meaningfully for line level. The balanced design is specifically what keeps a run this long quiet.
Plugging TRS into a TS jack breaks the balanced connection and you lose the noise rejection. Use it balanced end to end.
No. Guitars need an unbalanced instrument cable with 1/4-inch TS on both ends.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.