Detail 01
Hi-Z
Built for high-impedance sources like pickups, so it is not a mic cable in disguise.

Independent shopping perspective
A 15-foot high-impedance cable with a 1/4" plug on one end and a male XLR on the other, for feeding an instrument-level signal to an XLR input.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Built for high-impedance sources like pickups, so it is not a mic cable in disguise.
Detail 02
Plugs into a female XLR input on a mixer, preamp or snare of stage boxes.
Detail 03
Takes the output of an instrument or pedal with a standard phone jack.
Detail 04
Practical for one player's footprint; short enough that high-impedance loss stays small.
Detail 05
Low visibility on stage; label both ends if you run several at once.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
It makes the physical connection, but a mixer mic input expects a much lower level. Check your input's gain range or use an impedance-matching box instead.
No. It is a high-impedance cable, so treat it like an instrument cable and keep the run short to avoid noise and treble loss.
The 1/4" plug goes into the instrument or pedal output, and the male XLR goes into a female XLR input downstream.
No. Mics have a male XLR output that needs a female XLR, and this cable's XLR end is also male.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.