Detail 01
Hi-Z (high impedance)
Wired for instrument-level, unbalanced signal. It won't magically balance the line or reject hum on long runs.

Independent shopping perspective
A 10-foot cable with a 1/4" plug on one end and a male XLR on the other, for sending a high-impedance source into an XLR input.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Wired for instrument-level, unbalanced signal. It won't magically balance the line or reject hum on long runs.
Detail 02
It plugs into a female XLR jack — a mixer or interface input, not an output.
Detail 03
Goes into a jack, not onto a plug. You'd still need an adapter to join two female ends.
Detail 04
Enough to reach a nearby mixer or DI point. Short runs also keep high-impedance signal loss down.
Detail 05
Disappears on a dark stage and against black carpet, so it's harder to spot when you're coiling up.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Physically yes. It's unbalanced high-impedance, so keep the run short; a DI box gives a cleaner result into a mic input.
No. It's a Hi-Z unbalanced cable that happens to terminate in XLR, so it's more prone to hum over distance.
Not really. Mics need a female XLR at the mic end, and this end is male.
10 feet.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.