Detail 01
Single 24-gauge conductor
The run is unbalanced at the 1/4" end, so it can't cancel hum the way a two-conductor balanced cable does.

Independent shopping perspective
A 15-foot XLR-female to 1/4" cable for feeding a mic or balanced source into a 1/4" input. Single conductor with spiral shield.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The run is unbalanced at the 1/4" end, so it can't cancel hum the way a two-conductor balanced cable does.
Detail 02
Blocks most interference but leaves gaps. Keep it clear of power cables and dimmer packs.
Detail 03
Low enough that 15 feet won't audibly roll off top end on a mic signal.
Detail 04
Signal loss over this length is negligible. Length isn't what limits this cable — noise rejection is.
Detail 05
Flexible and non-reflective under lights, but less abrasion-resistant than a braided or rubberized stage jacket.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. The 1/4" end connects to an input that doesn't supply phantom power. Use a dynamic mic, or an interface with an XLR input.
It has one conductor and a shield, so the run is unbalanced. It converts a mic output to a 1/4" input rather than preserving a balanced signal.
Physically yes, and it's a common way to get a dynamic mic into an amp's 1/4" input. Level and tone depend on the amp's input.
The female XLR end. It mates with the male XLR pins on the microphone body.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.