Detail 01
Single 24-gauge conductor
Unbalanced once it hits the 1/4 inch end, so 20 feet is about as far as you want to run it.

Independent shopping perspective
A 20-foot cable with a female XLR on one end and a 1/4 inch plug on the other, for tying mic-style gear into 1/4 inch inputs.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Unbalanced once it hits the 1/4 inch end, so 20 feet is about as far as you want to run it.
Detail 02
Low for this length, so high end stays intact instead of getting dulled over the run.
Detail 03
Handles typical stage hum, but a dense braid does better next to dimmer packs and lighting rigs.
Detail 04
Thin enough to coil small and tape flat, so it disappears under a pedalboard or in a rack.
Detail 05
Does not glare under stage lights and slides free rather than grabbing other cables in a pile.
Detail 06
Signal loss over 20 feet is negligible; you will not hear a level drop.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Only a dynamic mic. Condensers need phantom power, which cannot travel through the unbalanced 1/4 inch end. Use a mixer or preamp instead.
The female XLR connects to a male XLR output, such as a mic or a mixer output. The 1/4 inch plugs into a line or instrument input.
It is near the practical limit. At 25 pf/ft the treble holds up, but going much longer invites noise and high-end loss.
No. One 24-gauge conductor is built for signal, not amplifier power. Use the 14-gauge speaker cable for that.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.