Detail 01
1 ft. length
This is an adapter, not a cable run. It changes the connector at the jack and nothing more.

Independent shopping perspective
A one-foot female XLR to male 1/4" adapter cable for tying an XLR source into a quarter-inch input. Buy it if you need the format change at the jack, not a run.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
This is an adapter, not a cable run. It changes the connector at the jack and nothing more.
Detail 02
Takes a male XLR output (mic, DI, snake) and plugs into a quarter-inch input jack.
Detail 03
Spiral shield stays flexible and handles short runs fine. Coverage this low is less immune over long distances.
Detail 04
Capacitance rolls off highs over distance. At one foot the effect is nil, so treble stays intact.
Detail 05
Thin enough to sit behind gear without forcing a wide bend radius at the jack.
Detail 06
Matte finish resists scuffing and doesn't catch light onstage. PVC stays flexible at room temperature.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Physically yes — the mic's male XLR meets the female end and the 1/4" plugs into the amp. Level and impedance still won't match a mic preamp, so expect a quieter, thinner signal.
The XLR end is three-conductor, but with a single 24-gauge conductor and a shield the connection runs unbalanced through the 1/4" plug.
One foot. It's meant as an adapter stub at the jack, not as a signal run across a stage.
It works if your DI has a male XLR out and you're going into a 1/4" input. For a normal DI-to-snake run you want a standard XLR mic cable.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.