Detail 01
Lo-Z (low impedance)
The standard for stage mics. It's what makes long runs practical without the signal going dull or picking up noise.

Independent shopping perspective
A 50-foot XLR microphone cable for long runs from stage to a mixer. Standard low-impedance wiring, sized for a full room.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The standard for stage mics. It's what makes long runs practical without the signal going dull or picking up noise.
Detail 02
Two signal conductors cancel out interference along the run. That's why 50 feet stays quiet where an instrument cable wouldn't.
Detail 03
Covers most club and hall stage-to-console distances. Also more cable to coil, carry, and tape down every night.
Detail 04
Least visible when taped across a floor or run along trim. Label both ends if you own several of these.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Balanced low-impedance mic lines run this far routinely with no audible loss. Length is a bigger issue for unbalanced instrument cables.
Yes, for the line-level signal input on a powered speaker. Do not use XLR cable for passive speaker connections from an amplifier.
Yes. A standard balanced XLR cable carries the 48V your mixer supplies to a condenser mic.
Not directly. Guitars use 1/4-inch instrument cables. You'd need a DI box to convert the guitar signal to a balanced XLR line.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.