Detail 01
30 ft. length
Enough to reach from a stage front to a side-stage snake or from a live room to a control room wall.

Independent shopping perspective
A 30-foot XLR mic cable for standard low-impedance microphones. Buy it as a stage or studio workhorse where length matters more than anything else.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
Enough to reach from a stage front to a side-stage snake or from a live room to a control room wall.
Detail 02
Matches standard dynamic and condenser mics. Low impedance is what lets a run this long stay quiet.
Detail 03
Female end goes on the microphone, male end into the preamp, mixer channel or snake input.
Detail 04
Balanced wiring cancels hum picked up along the run, which is why 30 feet is workable.
Detail 05
Disappears against stage floors and dark trim. Label or tape the ends if you run several at once.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
Yes. A standard XLR mic cable passes 48V from the preamp to the mic. Turn phantom on at the mixer or interface, not at the cable.
No. Low-impedance balanced mic cables run far longer than this without noticeable noise or high-end loss.
Not directly. Guitar amps take 1/4" jacks; this is XLR on both ends. You'd need an adapter or a different cable.
The female end — the one with holes — connects to the microphone. The male end with pins goes into the mixer or interface.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.