Detail 01
Lo-Z (low impedance)
The standard for modern microphones. Lets the signal travel farther without losing high end or picking up noise.

Independent shopping perspective
A 10-foot balanced XLR microphone cable. Short run for a mic on a stand to a nearby mixer, interface, or stage box.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
The standard for modern microphones. Lets the signal travel farther without losing high end or picking up noise.
Detail 02
Two signal conductors cancel interference at the input, so the line stays quiet near lights and power runs.
Detail 03
Enough for a mic stand to a nearby input. Too short to reach across a stage on its own.
Detail 04
Blends into stage floors. Consider colored tape or labels if you run several identical cables.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. Guitars need an unbalanced 1/4 inch instrument cable. This has XLR connectors for microphones and balanced gear.
Yes, balanced XLR cable passes phantom power, but the power itself comes from your mixer or interface.
It works from a mic stand to a nearby stage box or monitor input. For a run to front of house, you want a longer cable or a snake.
Yes. The cable is the same for both. Only the condenser needs phantom power switched on at the input.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.