Detail 01
Dynamic element
No phantom power needed, and it tolerates high sound pressure without distress. Output is lower than a condenser, so it wants preamp gain.

Independent shopping perspective
Dynamic cardioid microphone for broadcast, voiceover and studio use. A general-purpose mic for people who want one that handles many sources.

Strong match
Consider the trade-offs
What matters in use
Catalog numbers tell only part of the story. These are the details most likely to change how this product feels, sounds, or fits into a setup.
Detail 01
No phantom power needed, and it tolerates high sound pressure without distress. Output is lower than a condenser, so it wants preamp gain.
Detail 02
Picks up mostly what is in front and rejects the rear, which keeps room noise and monitor bleed down.
Detail 03
Built to cover voice, instruments and amplifiers rather than being tuned for one narrow job.
Detail 04
It connects to an interface or mixer with a mic preamp. It will not plug into a computer directly.
Final check
Product questions
Straight answers to the questions shoppers most often ask about this product.
No. It is a dynamic microphone, so it works on any mic input. Phantom power on the channel will not harm it either.
Yes. A cardioid dynamic rejects room reflections and keyboard noise, which suits untreated rooms better than a condenser does.
Not directly. It has an XLR output, so you need an audio interface or mixer with a microphone preamp between the mic and the computer.
The microphone itself. Plan on buying an XLR cable and a stand or boom arm separately, plus a shockmount if you want one.
Reference
The complete catalog record, organized around the decisions musicians make when comparing gear.